INSTRUMENTAL
THEORIES OF FORGETTING - LONDON SYMPHONY ORCHESTRA
Performed by Heather Roche (clarinets), Eva Zöllner (accordion) and Colin Alexander (cello) at LSO St. Luke’s, January 2023.
STANNUM
Performed by Guildhall Chamber Orchestra conducted by Joshua Weilerstein, and commissioned for the 10 year anniversary celebration of Milton Court Concert Hall, premiere 25 October 2023.
MELTING, SHIFTING, LIQUID WORLD
Performed by Nic Pendlebury (electric viola) and Trinity Laban String Ensemble at the National Maritime Museum, premiere March 2019
EXTENSION
Performed by Amy Jolly, commissioned as a part of her PhD research.
OPEN SCORES FOR ALL ABILITIES
FIVE LANDSCAPES
Conducted by James Weeks and performed at Sage Gateshead by the Chorus of Royal Northern Sinfonia as part of the CoMA Festival 2020.
COMA STUDIES
Extracts of footage from workshops and performances of five Open Score studies written for and devised with, CoMA Ensemble.
Spatial Study on D (2017), 230 Strings (2017), Spatial Study on Rotation (2017) - Premiered by CoMA London Ensemble, St Leonard's Church, Shoreditch. Conductor Gregory Rose.Cameras: Chris Tanton. Edit: Hollie Harding.
Graphic Score II (2017) - Premiered by CoMA Summer School Participants, Orkney. Camera and Edit: Chris Adams for CoMA
Traverse the Score (2018) - Premiered by Festival of Contemporary Music for All Participants, Committee Rooms, Shoreditch Town Hall. Camera and Edit: Freya and Steve Hellier for CoMA.
FILM / ANIMATION
BLAST
Directed by Roseanna Anderson and Joshua Ben-Tovim with an original composition by Hollie Harding and Ben Oliver. The film was inspired by the Vorticist journal – BLAST – which was edited by Wyndham Lewis. The journal included short stories, numerous illustrations, poems and a manifesto signed by 11 artists including Ezra Pound and Gaudier Brzeska.
The film evokes the pulsing energy of early modernist Britain with its experiments in form and desire to manifest a utopian future. We sit alongside a female audience and follow an artist, two dancers and two lovers, with the heavy shadow of retrospect, knowing the carnage and decimation that was to follow this remarkable period of productivity.
Choreography for the film was developed as part of the Cohan Collective residency programme. New Creatives is supported by Arts Council England and BBC Arts.
IIWII
Music for animation by Pepijn Schroeijers